Trident : How did it all begin?
Bob Shane: We bought the place in 1960. When we took over it was called the Yacht Dock. It was a jazz club. It was a very straight, conventional kind of place. It had a nice big dock so people could tie up and come in. I think we kept the name until around 1966 when we started changing it—painting the ceiling, putting in all the curved railings and woodwork—going for the hippie style. That was done by Frank with the architect, Roger Summers.
Frank closed the place, but we (the Trio) were on the road for most of that time so we didn’t see it taking shape.
When did you guys start playing and how did Frank become your manager?
We started the Trio in ’57, and we were playing at a place called The Cracked Pot in Redwood City. It was like a little beer garden—had a little stage, and Frank Werber came in and liked us. He drew up a contract for us right there on a paper napkin. So we started rehearsing with him, and played a couple of places around the Bay Area, and then he got us booked into the Purple Onion. It was a two week gig, and we ended up staying for sixteen weeks.
So how did you end up owning the Trident?
Well, when we started really making money in the ’60’s we decided we were going to have to have some things to invest in, so we bought the Columbus Towers in San Francisco, and then we bought some property in Mill Valley and San Rafael, and we leased the option for the Trident. Then in ’76 I did a stock trade out—I traded my share of the property we owned including the Trident for the rights to the Kingston Trio name. From that point on everything got great for me but I’m not so sure it did for everybody else.
Tom Dooley was your biggest hit, but Scotch and Soda is perhaps the Trio’s best and the best known. Tell us where that came from. The music has Dave Guard’s name on it but I heard he didn’t write write it. What’s the story?
It was written back in the thirties by an anonomyous musician in Phoenix, and was given to the Seaver family. Tom Seaver, you know, the baseball pitcher, was about nine when Dave (Guard) was dating his older sister at Stanford. We were driving down to LA, and we had dinner with their parents, and afterwards they said, “We’ve got this great song for you guys.” and they gave us the music. And then later, when we weren’t paying attention he put his name on it. It caused a lot of bad feelings later on. But he actually did it in order to give the money to the Seaver family, and they used it to put Tom through college. Of course, he did pretty well for himself later on. And there’s a pretty funny story about Dave. We were on the road and he picked up this chick, and checked into a hotel as Mr and Mrs using his credit card, forgetting that his wife paid the bills. That marriage didn’t last.
Is there more to this interview? How’s Bob Shane’s health? Does he ever perform? I still love the KT’s music–still play it, often, going back to the 60’s.
Just a correction in spelling for the builder with Frank, Roger Somers. He’s my uncle. He enjoyed building design expressing the female form.